There are likewise many modes of composition, by which a moralist may
deserve the name of an original writer: he may familiarize his system by
dialogues after the manner of the ancients, or subtilize it into a
series of syllogistick arguments: he may enforce his doctrine by
seriousness and solemnity, or enliven it by sprightliness and gaiety: he
may deliver his sentiments in naked precepts, or illustrate them by
historical examples: he may detain the studious by the artful
concatenation of a continued discourse, or relieve the busy by short
strictures, and unconnected essays.
To excel in any of these forms of writing will require a particular
cultivation of the genius: whoever can attain to excellence, will be
certain to engage a set of readers, whom no other method would have
equally allured; and he that communicates truth with success, must be
numbered among the first benefactors to mankind.
The same observation may be extended likewise to the passions: their
influence is uniform, and their effects nearly the same in every human
breast: a man loves and hates, desires and avoids, exactly like his
neighbour; resentment and ambition, avarice and indolence, discover
themselves by the same symptoms in minds distant a thousand years from
one another.
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