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Conrad, Joseph, 1857-1924

"A Set of Six"

She advanced not as if she had failed to
understand--the word 'police' has an unmistakable sound--but rather as
if she could not help herself. She did not advance with the free gait
and expanding presence of a distinguished amateur anarchist amongst
poor, struggling professionals, but with slightly raised shoulders,
and her elbows pressed close to her body, as if trying to shrink within
herself. Her eyes were fixed immovably upon Sevrin. Sevrin the man, I
fancy; not Sevrin the anarchist. But she advanced. And that was natural.
For all their assumption of independence, girls of that class are used
to the feeling of being specially protected, as, in fact, they are. This
feeling accounts for nine tenths of their audacious gestures. Her face
had gone completely colourless. Ghastly. Fancy having it brought home to
her so brutally that she was the sort of person who must run away from
the police! I believe she was pale with indignation, mostly, though
there was, of course, also the concern for her intact personality, a
vague dread of some sort of rudeness.


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